Showing posts with label Hell's-Gate-2007 Brian-Faherty Jeremy-Cohen Teddy-Alexandro-Evans Chelsea-Miller Quentin-Tarantino John-Cecil ex-cons postmodernist. Show all posts
Showing posts with label Hell's-Gate-2007 Brian-Faherty Jeremy-Cohen Teddy-Alexandro-Evans Chelsea-Miller Quentin-Tarantino John-Cecil ex-cons postmodernist. Show all posts

Friday, January 4, 2013

How good a singer is Jewel vs. Alanis Morrisette?

HELL'S GATE (2007)
Reviewed by Jerry Saravia
(Viewed in Spring 2008)
A few weeks ago I saw "Lucky Number Slevin," which had style to spare but no story to tell. "Hell's Gate" is just the opposite - it barely has style to spare but it also has a story with a surprising twist.

Kevin Kinney (Brian Faherty) is an ex-con and former stock broker who is in desperate need for cash. He owes money to the mob but his past friends refuse to give him a nickle. Kinney's loose cannon pal and former cell-mate, Ben Deardon (Jeremy Cohen), has a meeting with a certain British gentleman named Mr. Nobody (Teddy Alexandro-Evans) who has a profitable job for them - to kidnap a billionaire's daughter (Chelsea Miller)! For Kevin, this is a long way from Wall Street but he reluctantly takes the job. The kidnapping is successful, thanks to good old chloroform. Unfortunately, the two ex-cons and the billionaire's daughter, who is tied to a chair, have to stay in some hideout until Mr. Nobody comes back from delivering a ransom note! Are these protagonists doomed? Will Mr. Nobody actually double-cross them and kill them? Inevitably.

The comparisons to Tarantino's edgy, postmodernist crime flicks are also inevitable. There is a pungent discussion on the singers Jewel and Alanis Morrisette and their respective love songs. I also caught a reference to Man From U.N.C.L.E. And the movie zigzags from flashbacks to flashforwards to intertitles. The idea of two ex-cons with a hostage inside a building can find its roots as far back as John Ford, concluding with John Carpenter and Quentin Tarantino. I could say that, folks, the thrill is gone. We have seen interminable gangster/ crime flicks and, more often than not, there is little variety among them. Still, I have to give debuting writer-director John Cecil credit for trying to make this more than just passable. The script can be weak but there are some inspired moments. Notably the opening scene, where Kevin is confessing about a past girlfriend, could be set in a psychiatrist's office or at a police station (we find out later the actual location). I also liked how these two criminals have no idea how to conduct themselves with a hostage, or how to properly prepare a ransom note (the hard-edged guys in "Reservoir Dogs" could eat them for breakfast).

Since this is an independent production and I understand limitations in terms of budget and cutting corners, I will say that two actors could've been better cast. Teddy Alexandro-Evans as the mysterious Mr. Nobody lacks charisma and hardly seems threatening, even with a calm demeanor. Chelsea Miller doesn't lend her part any real weight and is summarily unsympathetic and unlikable - sure, it is hard not to wince seeing a woman beaten down by two thugs but I barely cared. The stars of the film are Brian Faherty, the straight shooter who wants a change from his current lifestyle, and Jeremy Cohen as the cokehead who is far more dangerous than anticipated. Both of these roles reminded me of Timothy Hutton and Sean Penn's characters in the fantastic "The Falcon and the Snowman" - characters as two polar opposites who may be both doomed in this kidnapping scenario (they even wear the same clothes that seem to come from a vintage 70's shop).

Though it has nothing new or refreshing to say about the so-called "honor among thieves" crossed with a kidnapping/hostage tale, "Hell's Gate" still zips along with a clever ending and two ex-cons who are unable to escape the inevitable.