AFTER MIDNIGHT (1989)
Reviewed by Jerry Saravia
"After Midnight" is one of those el cheapo horror anthologies that teeters between tongue-in-cheek horror with a gradual touch of knowing self-winks, and real terror. Its major faults are that the tongue-in-cheek lacks sufficient wit and the real terror would barely scare any toddler less than a year old.A creepy professor of a class called "The Psychology of Fear" (Ramy Sada) wants to do away with textbooks and really scare his students by example. First, he points a gun with one bullet in its chamber at a student. Next, he offs himself by firing a gun at his head. Well, he does not really off himself but the terminally stupid students do not know this at first. What is troubling is that the students do not react to either incident with much more than a collective, "oh, my God!" as opposed to "OH, MY GOD!, OUR TEACHER JUST KILLED HIMSELF!" This is the first day of class, mind you. The professor, who later learns his teaching methods are unorthodox, decides to have his students partake in an experiment at his house! UH, UHHH!!!
During a rainy night, a handful of students tell scary stories to the professor and this sets up the horror anthology aspect of the film. My problem is that it takes too long to get to the alleged good stuff, not that these stories are worth anything in the midnight fright factor. "The Old Dark House" segment has a little "Creepshow" vibe though most of it feels too short to resonate (Marc McClure and Nadine Van der Velde are the married couple in it who stop at an abandoned mansion - Nadine being the older sister in the memorable "Critters"). I also intermittently enjoyed the "All Night Messenger" with Marg Helgenberger as a telephone answer operator in crutches but the villain (Al Rosenberg) is so over-the-top that all sense of wicked fun is thrown out the window. The middle story, easily the worst, concerns four girls at a gas station with dogs chasing their tail. Lame, especially when the highlight is an explosion. Wow. For 1980's devotees, Judie Aronson of "Weird Science" and Penelope Sudrow of "A Nightmare on Elm Street 3" appear in this mediocre segment but all they do is run and scream.
I adore watching Pamela Segall (a curiously small role) and Marg Helgenberger in anything but they are not enough to save this trite, sparsely imagined horror anthology. Stick to "Creepshow" or even the older "Vault of Horror" or "Tales From the Crypt."

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