THE MUMMY: TOMB OF THE DRAGON EMPEROR (2008)
Reviewed by Jerry Saravia
There is something peculiar about Brendan Fraser. In some movies, like the underrated "Blast From the Past," he is nothing short of stupendous and full of an inspired manic energy. In "The Mummy" series, he is so boring and insipid, words I've used far too many times, that it is a shock anyone considered casting him. Heck, Fraser looks the part of a 40's stock leading man with an oversized head and has got the goods to deliver a wickedly inspired performance, but he never cuts loose. Not once, not in the entire "Mummy" series. And this latest snoozefest, "Tomb of the Dragon Emperor," has about as much to do with mummies as Indiana Jones has to do with cockroaches.
Fraser is the Rick O'Connell character, an Egyptologist who spends his days fishing, bored out of his numbskull because he so glories the days of shooting mummies and experiencing high adventure. And his wife, Evelyn (now played by a less spirited Maria Bello, replacing Rachel Weisz), is yearning for those days as well, especially after writing two bestselling books. And they live with a butler in a mansion right out of Bruce Wayne country. Yawn. But their son, Alex (Luke Ford), is spirited and has high adventure on his mind. The plot has to do with an accidentally revived 4,000 year-old Chinese emperor (Jet Li) who can command all the elements to start an avalanche but has a little problem fighting Yetis (a furry pack of giant Abonimable Snowmans that look about as real as the werewolf in "Van Helsing"). Rick and Evelyn decide to help their son fight the evil emperor and the entire Terracotta army, which takes them to Shangri-La. Also in accompaniment is an immortal Chinese woman and her mother, but the less said about them, the better.
I wish I enjoyed this movie but, alas, like the previous "Mummy" films, there is no sense of jeopardy, wit, adventure or anything on the level of awe. Fraser has seen these special-effected skeleton armies and mummified remains come to life so often, it seems he is yawning just looking at them (this is dully reflected in his dialogue to boot). Same with Maria Bello. They could care less and the urgency is lost. Jet Li is mostly animated in this film, which means anyone could've played this role, and Michelle Yeoh as a sorceress somehow maintains a straight face but her one shared moment with Li is short-shrifted for more CGI, less humanity. To make things worse, the movie is frantically cut from so many angles, particularly during the action scenes, that all sense of spatial continuity is lost (seriously, how many different angles does an explosion need to be seen from?) This "Mummy" film deserves entombment.
